super star producers Vassal Benford & Mally Mall recommend Certifyd for all music creators
No gatekeepers. No platform lock-in. Creator-to-fan commerce with audience independence.
Worldwide distribution. Total ownership.
Before Certifyd, creators depended on labels, platforms, and middlemen to reach audiences and monetize their work. In 2026, we changed that.
This is more than distribution.
This is independence at scale.
Accelerate your publishing earnings through the power of your own IP.
Your music is more than content - it’s intellectual property with long-term value. Certifyd helps creators manage publishing, royalties, catalog performance, and long-term earnings while retaining creator rights.
Use Certifyd as a creator,
or run infrastructure and earn from network activity.
Powered by peer-to-peer infrastructure, creator ownership, and borderless payments.
Certifyd is opening to creators, musicians, writers, publishers, and node operators.
Register Node
Run infrastructure, publish creator profiles, support discovery, and help independent creators stay reachable without platform lock-in.
No banks. No platforms. No lock-in.
Take your audience. Take your income.
Creators. Work. Credits. Culture.
Every creator hopes their work is remembered.
The Certifyd Awards celebrate outstanding creators, remarkable content, and the people who help bring it to life—from artists and authors to producers, publishers, engineers, platforms, and creator innovators.
A two-day annual celebration of Creative Excellence and Creator Innovation.
CERTIFYD INTELLIGENCE
News, research, strategy, and perspective for creators building identity, ownership, commerce, and lasting value around their work.
EVEN has appointed former Warner Records executive Josh Remsberg as Head of Commercial Partnerships. The new role points to a wider shift: direct-to-fan services are becoming deeper commercial intermediaries, not simply places for artists to sell to fans.
Everyone says they’re building for creators. But if your identity, work and audience only exist as an account on somebody else’s infrastructure, how much do you actually control?
Michael Smith’s streaming-fraud case shows what happens when automated music and automated listening can turn manufactured attention into real royalty payments.
